dismissed
EB-1A
dismissed EB-1A Case: Visual Arts
Decision Summary
The appeal was dismissed because the director determined, and the AAO agreed, that the petitioner had not established the requisite extraordinary ability. The petitioner failed to demonstrate sustained national or international acclaim through extensive documentation, which is the high benchmark required for this visa classification.
Criteria Discussed
Receipt Of Lesser Nationally Or Internationally Recognized Prizes Or Awards
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U.S.Department of HomelandSecurity U.S.CitizenshipandImmigrationServices identifying data deleted to orice ofasminisir¤riveAgge¤zsMs 2090 fBVBnt Clearly unwarranted ""®"'"*'°", DC 20529-2090 invasionofpersonalpnvacy U.S.Citizenship and Immigration PUBLICCOPY services )2- FILE: Office:TEXASSERVICECENTER Date: NOV2 9 2010 IN RE: Petitioner: Beneficiary: PETITION: ImmigrantPetitionfor Alien WorkerasanAlien of ExtraordinaryAbility Pursuantto Section 203(b)(1)(A)of theImmigrationandNationalityAct, 8U.S.C.§ 1153(b)(1)(A) ONBEHALFOFPETITIONER: INSTRUCTIONS: Enclosedpleasefind the decisionof the AdministrativeAppealsOffice in your case. All of the documents relatedto thismatterhavebeenreturnedto theofficethatoriginallydecidedyourcase.Pleasebeadvisedthat anyfurtherinquirythatyoumighthaveconcerningyourcasemustbemadeto thatoffice. If youbelievethelaw wasinappropriatelyappliedby us in reachingour decision,or you haveadditional informationthatyou wishto haveconsidered,youmayfile a motionto reconsideror a motionto reopen.The specific requirementsfor filing such a requestcan be found at 8 C.F.R. § 103.5. All motions must be submittedto theofficethatoriginallydecidedyourcaseby filing aFormI-290B,Noticeof Appealor Motion. Thefeefor aFormI-290B is currently$585,but will increaseto $630onNovember23,2010. Any appealor motionfiled on or after November23, 2010mustbe filed with the $630fee. Pleasebe awarethat 8 C.F.R. § 103.5(a)(1)(i)requiresthatanymotionmustbefiled within 30daysof thedecisionthatthemotionseeksto reconsideror reopen. Thankyou, P Chief,AdministrativeAppealsOffice www.users.gov Page2 DISCUSSION:The employment-basedimmigrantvisa petitionwasdeniedby the Director,Texas ServiceCenter,andis nowbeforetheAdministrativeAppealsOffice(AAO) on appeal.Theappeal will bedismissed. The petitionerseeksclassificationasan"alien of extraordinaryability" in the arts,pursuantto section 203(b)(1)(A)of theImmigrationandNationalityAct (theAct),8U.S.C.§ 1153(b)(1)(A).'Thedirector determinedthatthepetitionerhadnot establishedtherequisiteextraordinaryability throughextensive documentationandsustainednationalor internationalacclaim. Congressseta veryhighbenchmarkfor aliensof extraordinaryability by requiringthroughthestatute that the petitionerdemonstratethe alien's"sustainednationalor internationalacclaim"andpresent "extensivedocumentation"of the alien'sachievements.Seesection203(b)(1)(A)(i)of the Act and 8C.F.R.§204.5(h)(3).Theimplementingregulationat 8 C.F.R.§204.5(h)(3)statesthatanaliencan establishsustainednationalor internationalacclaimthroughevidenceof a one-timeachievementof a major,internationallyrecognizedaward. Absentthereceiptof suchanaward,theregulationoutlines tencategoriesof specificobjectiveevidence.8C.F.R.§204.5(h)(3)(i)through(x). Thepetitionermust submitqualifyingevidenceunderatleastthreeof thetenregulatorycategoriesof evidenceto establish thebasiceligibilityrequirements. On appeal,counselarguesthatthepetitionermeetsat leastthreeof thetenregulatorycategoriesof evidenceat 8 C.F.R.§ 204.5(h)(3).Forthereasonsdiscussedbelow,weupholdthedirector'sultimate conclusionthatthepetitionerhasnotestablishedhereligibilityfor theexclusiveclassificationsought. I. Law Section203(b)of theAct states,in pertinentpart,that: (1) Priorityworkers.- Visasshallfirst be madeavailable. . . to qualifiedimmigrantswho are aliensdescribedin anyof thefollowingsubparagraphs(A) through(C): (A) Aliens with extraordinaryability. -- An alien is describedin this subparagraphif -- (i) the alien has extraordinaryability in the sciences,arts, education, business,or athleticswhichhasbeendemonstratedby sustainednationalor intemationalacclaimandwhoseachievementshavebeenrecognizedin the field throughextensivedocumentation, (ii) thealienseeksto entertheUnitedStatesto continuework in theareaof extraordinaryability,and Therecordreflectsthatthepetitionerhasresidedin theUnitedStatessinceSeptember2001andwasin thecountryasa G-4nonimmigrantemployeeof aninternationalorganizationattimeof filing theFormI-140petition. Page3 (iii) the alien's entry into the United Stateswill substantiallybenefit prospectivelytheUnitedStates. U.S.CitizenshipandImmigrationServices(USCIS)andlegacyImmigrationandNaturalizationService (INS)haveconsistentlyrecognizedthatCongressintendedto seta veryhigh standardfor individuals seekingimmigrantvisasasaliensof extraordinaryability. SeeH.R. 723 101®'Cong.,2d Sess.59 (1990);56Fed.Reg.60897,60898-99(Nov.29,1991).Theterm"extraordinaryability" refersonly to thoseindividualsin thatsmallpercentagewhohaverisento theverytop of thefield of endeavor. Id. and8C.F.R.§204.5(h)(2). Theregulationat 8 C.F.R.§ 204.5(h)(3)requiresthatanaliendemonstratehisor hersustainedacclaim andtherecognitionof his or herachievementsin thefield. Suchacclaimandachievementsmustbe establishedeitherthroughevidenceof aone-timeachievement(thatis,amajor,internationalrecognized award)orthroughmeetingatleastthreeof thefollowingtencategoriesof evidence. (i) Documentationof thealien'sreceiptof lessernationallyor internationallyrecognized prizesor awardsfor excellencein thefield of endeavor; (ii) Documentationof the alien's membershipin associationsin the field for which classificationis sought,which requireoutstandingachievementsof their members,as judgedbyrecognizednationalorinternationalexpertsintheirdisciplinesorfields; (iii) Publishedmaterialaboutthe alienin professionalor majortradepublicationsor othermajormedia,relatingto the alien'swork in thefield for which classificationis sought.Suchevidenceshallincludethetitle,date,andauthorof thematerial,andany necessarytranslation; (iv) Evidenceof thealien'sparticipation,eitherindividuallyor onapanel,asajudgeof theworkof othersin thesameor analliedfield of specializationfor whichclassification is sought; (v) Evidenceof the alien'soriginalscientific,scholarly,artistic,athletic,or business- relatedcontributionsof majorsignificancein thefield; (vi) Evidenceof thealien'sauthorshipof scholarlyarticlesinthefield,in professionalor majortradepublicationsor othermajormedia; (vii) Evidenceof thedisplayof thealien'swork in thefield at artisticexhibitionsor showcases; (viii) Evidencethatthealienhasperformedin aleadingor criticalrolefor organizations or establishmentsthathaveadistinguishedreputation; (ix) Evidencethatthe alienhascommandeda high salaryor othersignificantlyhigh remunerationfor services,in relationto othersin thefield; or Page4 (x) Evidenceof commercialsuccessesin theperformingarts,asshownby box office receiptsorrecord,cassette,compactdisk,or videosales. In 2010,theU.S.Courtof Appealsfor theNinthCircuit(NinthCircuit)reviewedthedenialof apetition filed underthisclassification.SeeKazarianv. USCIS,596F.3d1115(9* Cir. 2010). Althoughthe courtupheldtheAAO's decisiontodenythepetition,thecourttookissuewith theAAO's evaluationof evidencesubmittedto meet a given evidentiarycriterion.2 With respectto the criteria at 8C.F.R. §204.5(h)(3)(iv)and(vi), thecourtconcludedthatwhile USCISmayhaveraisedlegitimateconcerns aboutthesignificanceof theevidencesubmittedto meetthosetwo criteria,thoseconcernsshouldhave beenraisedin asubsequent"final meritsdetermination."Id. at 1121-22. The court statedthat the AAO's evaluationrestedon an improperunderstandingof the regulations. Insteadof parsingthesignificanceof evidenceaspartof theinitial inquiry,thecourtstatedthat"the properprocedureisto countthetypesof evidenceprovided(whichtheAAO did),"andif thepetitioner failedto submitsufficientevidence,"theproperconclusionis thattheapplicanthasfailedto satisfythe regulatoryrequirementof threetypesof evidence(asthe AAO concluded)."Id. at 1122(citing to 8C.F.R.§ 204.5(h)(3)).Thecourtalsoexplainedthe"final meritsdetermination"asthecorollaryto thisprocedure: If a petitionerhas submittedthe requisiteevidence,USCISdetermineswhetherthe evidencedemonstratesbotha "levelof expertiseindicatingthattheindividualis oneof that small percentagewho haverisento the very top of the[ir] field of endeavor," 8 C.F.R.§204.5(h)(2),and"thatthealienhassustainednationalor internationalacclaim and that his or her achievementshave been recognizedin the field of expertise." 8C.F.R. § 204.5(h)(3).Only alienswhoseachievementshave garnered"sustained national or internationalacclaim" are eligible for an "extraordinary ability" visa. 8U.S.C.§ 1153(b)(1)(A)(i). Id. at 1119-1120. Thus,Kazariansetsforthatwo-partapproachwheretheevidenceis first countedandthenconsidered in the context of a final merits determination. In reviewing ServiceCenterdecisions,the AAO will applythetestsetforth in Kazarian.As theAAO maintainsdenovoreview,theAAO will conducta newanalysisif thedirectorreachedhis or herconclusionby usinga one-stepanalysisratherthanthe two-step analysisdictatedby the Kazarian court. SeeSpencerEnterprises, Inc. v. United States,229 F. Supp.2d 1025,1043(E.D.Cal. 2001),affd, 345F.3d683(9thCir. 2003);seealsoSoltanev. DOJ,381F.3d143,145(3dCir. 2004)(notingthattheAAO conductsappellatereviewonadenovo basis). II. Analysis 2Specifically,thecourt statedthattheAAO hadunilaterallyimposednovelsubstantiveor evidentiaryrequirements beyondthosesetforthin theregulationsat8C.F.R.§204.5(h)(3)(iv)and8C.F.R.§204.5(h)(3)(vi). • Page5 A. EvidentiaryCriteria This petition, filed on October 14, 2008, seeksto classify the petitioner as an alien with extraordinaryability in the "visual arts,specificallypainting." At thetime of filing, the petitioner was working as an AssistantCuratorfor the World Bank Art Programin Washington,D.C., a positionshehasheld since2005. Thepetitionerhassubmittedevidencepertainingto thefollowing categoriesof evidenceat 8 C.F.R.§204.5(h)(3).3 Documentationof thealien'sreceiptof lessernationally or internationallyrecognized prizesor awardsfor excellencein thefield of endeavor. The petitioner submitteda December26, 2000 designationfrom the Dean of the Visual Arts Department,National University Art Institute (IUNA), National Schoolof Fine Art "Prilidiano Pueyrredon,"BuenosAires,Argentina,appointingher "as authorizedad-honoremrepresentativein Washington,D.C. of Cultural and Educational exchangeactivities of mutual benefit, with prerogativeto processthembeforewhoevercorresponds."Thepetitioner'sresumeindicatesthatshe attendedthe IUNA from 1993to 1997. Therecorddoesnot includeevidencefrom the university indicatingthe significanceof the precedingdesignation. Thereis no evidenceshowingthat this designationfrom thepetitioner'salmamaterequatesto a "nationallyor internationallyrecognized" prize or awardfor excellencein thevisualarts. Rather,thesubmitteddocumentationindicatesthat thedesignationis aninstitutionalappointment. The petitionersubmittedan announcementpostedin the Cultural Sectionof the websiteof the ArgentineEmbassystatingthat her work "Settlements"and work "Sudestada" were selectedfor the "Migration" exhibition in the Associationof Ibero-AmericanCultural Attaches'XVI Art Salon(December2007- January2008) at the Mexican Cultural Institutein Washington,D.C. The petitioner also submittedthe exhibition book for the XVI Art Salon indicatingthatherpaintingwasincludedamongthework of 27 artistsin the"Migration" exhibition submits a September3, 2009 letter of support from stating: "I have exhibited her work in our museum, and awarded her a prize in conjunction with a show I curated for the Associationof Ibero-AmericanCulturalAttachesin Fall 2008." Selectionof the petitioner's work "Settlements"for the XVI Art Salon"Migration" exhibition does not equateto her receiptof a nationallyor internationallyrecognizedprize or awardfor excellence in thevisualarts. Thereis no evidenceshowingthatthepetitionerreceiveda prize or an awardat theXVI Art Salon"Migration" mber2007or early2008. Moreover,thereis no documentaryevidenceto support claimthathe"awardedheraprize in conjunction with a show [he] curatedfor the Associationof Ibero-AmericanCultural Attachesin Fall 2008." [Emphasisadded.] Goingon recordwithout supportingdocumentaryevidenceis not sufficientfor 3Thepetitionerdoesnot claim to meetor submitevidencerelatingto thecategoriesof evidencenot discussedin this decision. Page6 purposesof meetingtheburdenof proof in theseproceedings.Matter of Soffici,22 I&N Dec. 158, 165(Comm.1998)(citing Matter of TreasureCraft of California, 14I&N Dec. 190(Reg.Comm. 1972)). A petition mustbe filed with any initial evidencerequiredby the regulation. 8 C.F.R. § 103.2(b)(1).Thenonexistenceor otherunavailabilityof primaryevidencecreatesa presumption of ineligibility. 8 C.F.R.§ 103.2(b)(2)(i).Accordingto thesameregulation,onlywherethepetitioner demonstratesthat primaryevidencedoesnot existor cannotbe obtainedmaythe petitionerrely on secondaryevidenceandonly wheresecondaryevidenceis demonstratedto be unavailablemaythe petitionerrely on affidavits. Wherea recorddoesnot exist,thepetitionermustsubmitanoriginal written statementon letterheadfrom therelevantauthorityindicatingthereasontherecorddoesnot existandwhethersimilarrecordsfor thetimeandplaceareavailable.8C.F.R.§ 103.2(b)(2)(ii).In thiscase,thereis no evidencedemonstratingthatthepetitionerreceivedaprizeattheXVI Art Salon "Migration" exhibition in 2008 or that such a prize is recognizedbeyondthe confinesof the exhibitionandthereforecommensuratewith anationallyor internationallyrecognizedprizeor award for excellencein thevisualartsfield. Thepetitionersubmitteda copyof a 2001pressreleasepreparedby The StageGalleryin Merrick, NewYork stating: "In Here," a mixed mediawork by Wshington[sic], DC artist [the petitioner],hasbeen chosenasoneof only thirty-sevenpiecesthat wereselectedout of 2,015slidesof worksof art submittedby 528 artistsfrom throughoutthe world, to be exhibitedat the third annual "Faceto Face"exhibitionat Thework will beon view from May 18to June24. Thepetitioneralsosubmitteda June7, 2001articlein MerrickLife (a communitynewspaperserving Merrick,NewYork) entitled"InternationalartatTheStage."Thelocalarticlepromotestheupcoming exhibitionandliststhepetitioner'snameamongmorethanthreedozenotherartistsparticipatingin the "Faceto Face"exhibition.Onceagain,havingone'sworkselectedto appearin anexhibitiondoesnot constitutereceiptof a"prize" or an"award"for excellence(suchasaprizefor Bestof Show). There is no documentaryevidencedemonstratingthat the petitionerreceiveda prize or an awardat the "Faceto Face" exhibition or that participating in the exhibition is commensuratewith receivinga nationallyor internationallyrecognizedprizeor awardfor excellencein thevisualartsfield. The petitioner submitted a July 3, 2008 letter of support from , e Inter-AmericanDevelopmentBankin Washington,D.C. es that sheservedas a consultantfor the Inter-American DevelopmentBankfrom 2005to 2007. sletterstates: Oneof theprogramsfor which I amresponsibleis the organizationof art exhibitionsfrom Latin-Americanartists. We annuallyreceivedaround50/70portfoliosto select8 artistswho will exhibittheirwork attheatriumof theInter-AmericanDevelopmentBank. In 2007,[thepetitioner]participatedin theannualcontestandhasbeenselectedto exhibither work. Our committeefound [the petitioner's]work original andvaluable. Her seriesof Page7 work consistedof 60 paintings. Thesepieceswhere[sic] installedin one large wall (12 meters)attheentrancehall of thebuilding. Wecannotconcludethathavingone'swork selectedfor displayin theatriumof abuildingalongwith sevenotherartistsequatesto receiptof a nationallyor internationallyrecognizedprize or awardfor excellencein thefield. Thereis no evidenceshowingthatselectionof thepetitioner'swork by the institution that employedher as a consultantis commensuratewith receiving a nationally or internationallyrecognizedprizeor awardfor excellencein thevisualartsfield. In light of theabove,thepetitionerhasnotestablishedthatshemeetsthiscriterion. Documentationof the alien's membershipin associationsin the field for which classificationis sought,which requireoutstandingachievementsof their members,as judged by recognizednational or internationalexpertsin their disciplinesorfields. In orderto demonstratethat membershipin an associationmeetsthis criterion, a petitionermust showthattheassociationrequiresoutstandingachievementasanessentialconditionfor admissionto membership.Membershiprequirementsbasedon employmentor activity in a givenfield, minimum educationor experience,standardizedtest scores,grade point average,recommendationsby colleaguesor currentmembers,or paymentof dues,donot satisfythiscriterionassuchrequirements do not constituteoutstandingachievements.Further,the overallprestigeof a given associationis not determinative;the issuehereis membershiprequirementsratherthanthe association'soverall reputation. As previouslymentioned,thepetitionersubmitteda December26,2000designationfrom theDean of the Visual Arts Department,IUNA, National School of Fine Arts "Prilidiano Pueyrredon," BuenosAires, Argentina,appointingher "as authorizedad-honoremrepresentativein Washington, D.C.of CulturalandEducationalexchangeactivitiesof mutualbenefit,with prerogativeto process thembeforewhoevercorresponds."On appeal,the petitionersubmitsa letter of supportfrom stating: I met [the petitioner] in 1995during her studiesat the Fine Arts Academy(part of the IUNA). Sinceshewasoneof my studentsI've beencloseto her professionalcareerasan artist and professor. She was always one of the most outstanding studentswith a great commitmentwith thearts. As a result of her aptitudesandtalent shewas appointedby the IUNA . . . as the only representativefrom theUniversityin theUnitedStateswith authorityto manageanybilateral agreement. * * * Weare. . . proudsheis representingourUniversityandourCountryin theUnitedStates.... Page8 DeanFloresdoesnot specifythebilateralexchangeagreementsmanagedby thebeneficiaryfor the IUNA while in theUnitedStates.Nevertheless,the petitioner'sappomtmentasa representativeof her almamaterin the United Statesdoesnot equateto her "membership"in an associationin the field requiringoutstandingachievementsof its members. Further,"aptitudesand talent" arenot tantamountoutstandingachievementsin thevisualartsfield. In responseto thedirector'srequestfor evidence,thepetitionersubmittedaSeptember3, 2009letter fromDanielChuburu,Ambassadorof Argentinain Kenya,stating: I met [thepetitioner]in 2003while I wastheDeputyChiefof Missionin theEmbassyof Argentinain Washington,D.C. * * * While I was in Washington,D.C., amongmy regular duties I supervisedthe cultural activities of the ArgentineanEmbassy. As part of thoseactivities we had an exhibition programopento all Argentineartists. * * * [Thepetitioner)is not only anartistwith a greatcommitmentto thecommunitybut shewas alwaysapartof ourculturalactivitiesandpartof anArgentineanCulturalCommitteecreated by including top personalitiesof the ArgentineanCulture in Washington,D.C. [The petitioner] was also in chargeof the permanentArt Collection of the Argentinean Embassy,ConsulateandAmbassador'sResidenceasa designed"ad honorem"professional curator. tatesthat thepetitionerwas"part of an ArgentineanCulturalCommitteecreatedby m assa or ose Bordon," but there is no evidence demonstrating that her participation with the committeeequatedto "membership"in anassociationin thevisualartsfield or thatbecomingapart of thecommitteerequiredoutstandingachievements. In this case,thereis no evidence(suchasbylawsor official rulesof admission)showingthat the petitioner holds membershipin arts associationswhich require outstandingachievementsof their members,asjudgedby recognizednationalor internationalexpertsin her field. Accordingly,the petitionerhasnotestablishedthatshemeetsthiscriterion. Publishedmaterialaboutthealien in professionalor major tradepublicationsor other major media,relating to thealien'swork in thefield for whichclassificationis sought. Suchevidenceshall includethetitle, date,andauthorof thematerial,andanynecessary translation. In general,in orderfor publishedmaterialto meetthiscriterion,it mustbeprimarilyaboutthepetitioner and,asstatedin theregulations,beprintedin professionalor majortradepublicationsor othermajor media. To qualify asmajormedia,the publicationshouldhavesignificantnationalor international distribution.An alien would not earnacclaimat the nationallevel from a local publication. Some newspapers,suchastheNew YorkTimes,nominallyservea particularlocalitybut would gualifyas majormediabecauseof significantnationaldistribution,unlikesmalllocalcommunitypapers. As previouslydiscussed,thepetitionersubmittedaJune7, 2001articlein MerrickLife (a community newspaperservingMerrick,NewYork) entitled"Internationalart atTheStage,"but theauthorof the articlewasnot identifiedasrequiredby theplainlanguageof thiscriterion. Thelocalarticleis about theupcoming"Faceto Face"exhibitionratherthanthepetitioner.Theonlymentionof thepetitioneris amongthelist of morethanthreedozenparticipatingartists. Thepetitionersubmitteda January5, 2006articlepostedat www.clarin.comentitled"In a curious show,theaudiencecreatesa giantpuzzlewith artworks." Theonlinearticleannouncestheopening of the petitioner's "Fractions" exhibition at the BorgesCultural Centerin BuenosAires. The petitioner states: "Publishing over 600,000copiesdaily Clarin is Argentina [sic] best selling newspaper,and also the largestSpanishlanguagenewspaperin the world." The sourceof this distributioninformationfor Clarin is not identifiedor documentedin the record. As previously discussed,goingon recordwithout supportingdocumentaryevidenceis not sufficientfor purposes of meetingthe burdenof proof in theseproceedings. Matter of Soffici, 22 I&N Dec. at 165. Moreover,thereis noevidenceshowingthattheonlineeditionwheretheJanuary5, 2006articlewas postedhas the samelevel of readershipas the newspaper'spublishededition or that the online editionotherwisequalifiesasaform of majormedia. ThepetitionersubmittedaJanuary4, 2008articlein WashingtonPostWeekend's"OnExhibit"section entitled"'Migration': UniversalTruths." The articleannouncesthe Associationof Ibero-American CulturalAttaches'16thannualartSalOn"Migration" at theMexicanCulturalInstitutein Washington, D.C. Thearticleis aboutthe"Migration" exhibitionandonly briefly mentionsthepetitionerstating: "But its alsotruein 'HumanSettlements,"a paintingby [thepetitioner](Argentina)thatfeaturesan arrayof small,anonymousfiguresthathavebeenpositioned,like playingpiecesfrom the gameRick, againstandabstractbackdropthatis partmap,partboardgame." Theprecedingarticleonly briefly mentionsthepetitionerandis insteadaboutthe "Migration" exhibitionin generalin whichher work appearedwith that of numerousotherartists. The plain languageof this regulatorycriterionrequires "[plublishedmaterialaboutthealien." Articlesthatonly briefly mentionthepetitionerin passingdo notmeettheplainlanguageof thisregulatorycriterion.5 4Evenwith nationally-circulatednewspapers,considerationmustbegivento theplacementof thearticle. Forexample, anarticlethatappearsin the WashingtonPost,but in a sectionthat is distributedonly in FairfaxCounty,Virginia, for instance,cannotserveto spreadanindividual'sreputationoutsideof thatcounty. 5See,e.g.,AccordNegro-Plumpev. Okin,2:07-CV-820-ECR-RJJat7 (D. Nev.Sept.8, 2008)(upholdinga fmdingthat articlesaboutashowarenotabouttheactor). Page10 ThepetitionersubmittedanApril 14,2008letterfrom BenjaminJonas,StaffDirector,PersianNews Network,Voice of America(VOA), Washington,D.C., stating: "[The petitioner)appearedon the Voice of Americaon April 8, 2008. [The petitioner)was interviewedabouther artworkandher paintingtechniquesonthePersianNewsNetwork'sdailyyouthtelevisionprogramLateEdition." The petitioneralsosubmitteda transcriptfrom thetelevisedinterviewanddocumentationfrom theVOA's internetsiteindicatingthatthetelevisionreportis availablefor downloadonline. Thereis no evidence establishingthattheVOA's "PersianNewsNetwork'sdailyyouthtelevisionprogramLateEdition"isa formof majormediain theUnitedStatesor anyothercountry.Further,atelevisioninterviewdoesnot equateto "publishedmaterialaboutthealien." [Emphasisadded.] ThepetitionersubmittedaJanuary20,2006articlepostedonthewebsiteof Milenium 106.7FM radio entitled"Fractionsby [thepetitioner],"buttheauthorof thearticlewasnotidentifiedasrequiredby the plain languageof this criterion. The petitioneralsosubmittedtwo Spanishlanguagearticlesabout Milenium radio andMilenium 106.3FM, but the articleswerenot unaccompaniedby the required Englishlanguagetranslations.Pursuantto theregulationat 8 C.F.R.§ 103.2(b)(3),anydocument containingforeign languagesubmittedto USCISshallbe accompaniedby a full Englishlanguage translationthat the translatorhas certified as completeand accurate,and by the translator's certificationthatheor sheis competentto translatefrom theforeignlanguageinto English. Thereis no evidence(suchas readershipstatistics)showingthat the websiteof Milenium 106.7FM radio equatesto aformof majormediain Argentinaor anyothercountry. ThepetitionersubmittedaJanuary2006articlepostedon thewebsiteof Arte al Día OnLine,butthe authorof thearticlewasnot identifiedasrequiredby theplain languageof this criterion. Theonline articleannouncestheopeningof thepetitioner's"Fractions"exhibitionattheBorgesCulturalCenter in BuenosAires. Thereis no evidenceshowingthatArte al Día OnLineequatesto aprofessionalor majortradepublicationor someotherform of majormedia. Thepetitionersubmitteda January2006articleentitled"Vidriera" on page12of La Nacion,but the Englishlanguagetranslationaccompanyingthe articlewasnot full andcompleteasrequiredby the regulationat 8 C.F.R.§ 103.2(b)(3).Thearticleincludesonlyonesentenceaboutthepetitionerwhich relates to her work. The petitioner also submitted a brief mention of her and three others in a January 2006articlein La Nacionentitled"En LaTrastienda,"buttheauthorof thearticlewasnotidentifiedas requiredby theplainlanguageof thiscriterion.Further,thereisno evidenceshowingthatLa Nacion equatesto aprofessionalor majortradepublicationor someotherformof majormedia. Thepetitionersubmittedonesentenceaboutherundertheheading"TheExhibition"in theJanuary6, 2006issueof Infobae,buttheauthorof thematerialwasnotidentifiedasrequiredby theplainlanguage of thiscriterion. Further,thereis no evidenceshowingthatInfobaeequatesto a professionalor major tradepublicationor someotherformof majormedia. Thepetitionersubmitteda brief pieceentitled"Fracciones,"butthedate,thenameof thepublication, andthe authorwerenot identifiedasrequiredby the plain languageof this criterion. Further,the submissionwasunaccompaniedby anEnglishlanguagetranslationasrequiredby theregulationat 8 C.F.R.§ 103.2(b)(3). Page11 The petitionersubmittedmaterialabouther postedon the Noktambularteonline blog, "A self- creationspace."TheEnglishlanguagetranslationaccompanyingthepostingwasnotcertifiedby the translatorasrequiredby theregulationat 8 C.F.R.§ 103.2(b)(3).Thereis no evidenceshowingthat Noktambularte'swebsiteequatesto a professionalor majortradepublicationor someotherform of majormedia. The petitionersubmittedadditionalarticlesfrom 2006postedon the websitesof Artesur, Cronica Literaria, andLa Union,but the articleswereunaccompaniedby Englishlanguagetranslationsas requiredby the regulationat 8 C.F.R.§ 103.2(b)(3). Further,the authorsof the articleswerenot identifiedandthereis no evidenceshowingthatArtesur,CronicaLiteraria,andLa Unionequateto professionalor majortradepublicationsor majormedia. In light o.ftheabove,thepetitionerhasnotestablishedthatshemeetsthiscriterion. Evidenceof thealien'sparticipation,eitherindividuallyor on apanel,asajudge of the work of othersin thesameor an alliedfield of specificationfor whichclassificationis sought. The petitionersubmittedan April 23, 2008 letter addressedto her from MarkusRepnik,Country Manager,WorldBankOfficeSkopje,Macedonia,stating: We are very pleasedthat you acceptedour invitation to join the "World Bank Art and DevelopmentProject"Art Committeeandto supportour initiative "Art anddevelopment." The Art Committeewill consistof recognizedMacedonianart critics and World Bank representatives. * * * In line with the draft proposalfor our "Art andDevelopmentProject"that we sharedwith you, we plan to select 10 artists on an annual basis with about 3 piecesof art per artist. Those would includeup to 5 very youngartistsfrom graduateclassof theFacultyfor Fine Arts and about5 morewell-knowncontemporaryartistswith agelimit of 50years. * * * Theselectionof artistswouldbedonein 2 phases:first wouldbecreationof alonglist, while thefinal selectionwill beby consensualagreement. o Creationof the Long-list: TheFacultyof FineArts will proposeup to 15 graduate students- themostpromisingones. We will asktheFacultyto maketheir proposal by 18May. In addition,eachmemberof theArt Committeewould propose3 artists. This wouldcreateaLong-listof about30artists. Page12 o TheArt committeewill makefinal selectionof theartistsandrespectiveartworksby June8, in orderto ensureprintingof thecatalogueby 30June. The membersof the Art Committeeareinvited to help preparethe catalogue,e.g.prepare shortbiographiesof theartistsandmakesuggestionsconcerningthelayoutof thecatalogue andrespectivetext. We very much look forward to our collaborationandto jointly supportyoungcontemporary Macedonianartists. ThepetitionersubmittedanAugust8, 2008letteraddressedto her from Volunteer& AlumniProgramsManager,HispanicCollegeFund,stating: Thank you for volunteering as an Art Competition Judge at the DC Hispanic Youth Symposiumat Trinity University, July 25, 2008. The Art Competitionconsistedof 25 Hispanic high school studentswho enteredpieces consistingof drawings, sculpting, architecturalmodelsandpaintings.The studentswere interviewedby a panelof judges on theirtechniquesandpersonalexpression. As an Art CompetitionJudge,you played a key role by lending your expertiseand experiencein art to aspiring,talentedHispanic artists.in doing so, three studentswere awardedscholarshipstotaling$3500(First place- $2000,Secondplace- $1000,andThird place$500). Onbehalfof theHispanicCollegeFund,weappreciategivingsogenerouslyof yourtimeand talentto supportourmissionof developingHispanicyoungprofessionals. Thepetitioneralsosubmittedinternetmaterialaboutthe2008DC HispanicYouthSymposiumstating: "The HispanicCollegeFundis comingto DC this summer! More than 100local Hispanichigh schoolstudentsand 100communityvolunteerswill cometogetherfor a life-changingeventthat raises the college-going trajectories of Hispanic students in the community." ThepetitionersubmittedanApril 2008letteraddressedtoherfromSuzanneCambria,DeputyDirector, DC Action for Children,stating: It is with much gratitudethat I write to thank you for your assistance.Your offer to judge submissionsto the DC Action for Children/CapitalChampionsfor Children art contestwas mostwelcome. And thenyourjudging! I dabblein quilting andothercraftsandto watch you look at thework,think about,anddiscussit with theotherjudgeswasa sightto behold. I wasin awe- andstill am. * * * All of usatDC ACT appreciateyourselflessnesswhenyoujudgedthechildren'sartcontest. • Page13 ThepetitioneralsosubmittedanOctober2007announcementfor the"DC Action for Children2008 Art Contest"stating: DCActionfor Childrenwill hostits3rd Annual Capital Championsfor Children Awards Luncheon on February 15,2008at theFour SeasonsHotel. As manyof you mayknow, DC ACT is the city's only nonprofit, multi-issue advocacyorganizationdedicatedto improving conditionsfor children,youth andtheir families.Our missionis to ensurethat everychild in theDistrict is affordedtheopportunityto reachhis orherpotential. Oneof the mostexcitingpartsof this eventis the art showhighlightingthe talentsof our youngpeople.For thesecondtime,weare sponsoringan art contestfor childrenandyouth in gradesPre-k through 12. An esteemedpanelof artexperts,artisansandchild advocates will considertheentriesandwe will makethreeawardsin eachgradecategory. Winnerswill receiveU.S.SavingsBondsandberecognizedonourWebsiteandattheluncheon. We know this letter comesat a busy time of the year,but we hope you will consider encouragingyour studentsto participatein this excitingcontestandhelp us showcasetheir talent. In responseto thedirector'srequestfor evidence,thepetitionersubmittedanAugust28, 2009letter fromMarinaGalvani,HeadCuratorandManager,WorldBankArt Program,stating: The World BankArt Programis part of theWorld BankGroup,amultinationaldevelopment bankwith officesin morethanhundredcountries. Our headquartersis in WashingtonDC, wheretheArt Programis housed.We carefor anextensivecollectionof contemporaryart, aswell asorganizeartexhibitionstobepresentedbothattheWorldBank,aswell asin other locationsaroundthe world. In my work I have to examineandjudge the artworksby hundredsof artistsfrom all overtheworld. . . . I decidedto hire [thepetitioner]in 2005to work as AssistantCurator for the Art Program. In this function, [the petitioner] is responsible for both evaluating portfolios as well as curating art exhibition as well as overseeing educational programs for the World Bank staff and the visitors to the World Bank. From her start with the Art Program,[the petitioner] hasdemonstratedmore and more her accomplishmentsasajuror andan art critic. In our work, we haveto evaluatehundredsof artists' portfolios from all over the world. Most of them are by accomplishedartists,for whom exhibiting at the World Bank is a prestigiousevent. [The petitioner]hasbeenin chargeof someof ourmoresuccessfulexhibitions,suchasA Passionto Paint: theColorful World of Pacita Abad (contemporaryart from the Philippines,openingon December13, 2005);Eyesof the Soul(contemporaryart from Brazil with a specialinstallationfor blind people,openedon March5, 2006),DramaandElegance(contemporaryart from Armenia, September5, 2007); Silk Road (contemporaryphotographyfrom Asia and CentralAsia, Page14 opening in Paris, December10, 2007); BorderlessCaptivity: Exploitation and Human Trafficking(openingonMay7,2008). Since2007 the Art Programhasstarteda cycle of cultural programswith regionalfocus. Theseprogramsinclude large art exhibitions(over 300 works on show), symposia,and lecturesandguidedtours. Our first programwasdedicatedto Sub-SaharanAfrica with the title Africa Now! [The petitioner]has performedsincethe beginninga leadingrole in identifying,judging andrecommendingartistsfor theartexhibitionsincludedin Africa Now! program. * * * The final selectionwas performedby a restrictedcommittee,which included the Vice Presidentfor the Africa Region,World Bank; the SecretaryGeneralfor the Biennial of ContemporaryArt, Dakar,Senegal;[the petitioner)andmyself. The restrictedcommittee had to perform a very sensitiverole to identify only little over hundredartistsout of an alreadyselectedlist, which would be presentedfor severalmonthsat the World Bank headquartersin WashingtonDC. [Thepetitioner]pla[ye]da critical role in theselectionpanel,reviewingoversevenhundred applicationsand portfolios during the early months of 2008 and convincing the other membersof thepanelof thequalityof herselection. * * * [Thepetitioner]hasbeenassignedby meto startthe identificationandevaluationof artists from Latin AmericaandtheCaribbean,for ournewcycleof artexhibitionsplannedfor 2010 and2011.This newcycleof exhibition,titled El Cambio,will presentoverfour hundred artworksby artistsfrom all themembercountriesof theWorld Bankin theLatin American andtheCaribbeanregion. To that purpose, was sent on a selection mission to Brazil to identify andjudge artists to be includedin the show.Thefinal selectionwill be performedin February2010by ajudging panel,chairedby me. Thepetitioner'sevaluationandselectionof artistsfrom Latin AmericaandtheCaribbeanfor theEl Cambioexhibitionpost-datesthe petition'sOctober14,2008filing date.A petitioner,however, mustestablisheligibility atthetimeof filing. 8 C.F.R.§§ 103.2(b)(1),(12);Matterof Katigbak,14 I&N Dec.45, 49 (Regl.Commr. 1971). Accordingly,the AAO will not considerthe petitioner's involvementwith theEl Cambioexhibitionin 2009and2010in thisproceeding. Thepetitioner'sresponsealsoincludedanAugust28,2009letterfrom Colin Smith,Professorof the LoughboroughUniversitySchoolof Art andDesign,England,stating: "I haveworkedcloselywith [thepetitioner]assheselectedandwasCuratorof arecentexhibitionof mineattheCentroCultural Page15 Borgesin BuenosAires, Argentina." Mr. Smith'sletterdoesnot indicatethedateof his exhibition at theCentroCulturalBorgesor provideanyspecificdetailsaboutthepetitioner'sparticipationasa curator. If testimonialevidencelacksspecificity,detail,or credibility,thereis a greaterneedfor the petitionerto submitcorroborativeevidence.Matter of Y-B-,21 I&N Dec. 1136(BIA 1998). In this instance,Mr. Smith's letter lacksspecificityanddetails,andis unsupportedby any corroborative evidencedemonstratingthepetitioner'sparticipationasajudgeof thework of others. Nevertheless,the evidenceshowingthe petitioner'sinvolvementwith the "World Bank Art and DevelopmentProject"Art Committee(2008),theDC HispanicYouth SymposiumArt Competition (2008),theDC Action for Children2008Art Contest,andasacuratorevaluatingartistsfor theWorld BankArt Program(2005-2008)meetstheplain languagerequirementsof the regulationat 8C.F.R. §204.5(h)(3)(iv).However,certaindeficienciespertainingto this evidencewill be addressedbelow in our final meritsdeterminationregardingwhetherthe submittedevidenceis commensuratewith sustainednationalor internationalacclaim,or beingamongthatsmallpercentageattheverytopof the field of endeavor. Evidenceof thedisplayof thealien'sworkin thefield at artisticexhibitionsor showcases. Thepetitionerhasdocumentedthe exhibitionof her work in BuenosAires at the BorgesCultural Centerand in Washington,D.C. at the Inter-AmericanDevelopmentBank Staff AssociationArt Gallery,the ArgentineEmbassy,the Cultural Instituteof Mexico, andNuevaVida's Annual Art Exhibit. Accordingly,thepetitionerhasestablishedthatshemeetstheplainlanguagerequirementsof theregulationat8C.F.R.§204.5(h)(3)(vii).However,certaindeficienciespertainingto thisevidence will beaddressedbelowin our final meritsdeterminationregardingwhetherthesubmittedevidenceis commensuratewith sustainednationalor internationalacclaim,orbeingamongthatsmallpercentageat theverytopof thefield of endeavor. Evidencethat the alien hasperformedin a leading or critical rolefor organizationsor establishmentsthathavea distinguishedreputation. Counsel argues that the petitioner "performs a critical role at the World Bank." The petitioner initially submittedanApril 16,2008letterfrom tating: The Art Programwasestablishedto managethe permanentcollectionof the World Bankas well as to promote art from our membercountries.The collection consistsof over 5,000 artworksandis valuedat over ten million dollars. It includesboth establishedmastersas well asemergingartistswho aremostly from developingcountries,andwhosequalitieshave not yet beendiscoveredby the internationalart market. Partof the program'smissionfor fighting poverty is promotingthe works of suchartistsand to makethem known in the internationalartarena. [The petitioner]is employedby the Art Program,andsheworkswith me asthe Assistant Curator. This is a positionthatrequiresnot only a deepappreciationandunderstandingof thearts,but alsodiplomaticsensitivity,sinceour work includes,amongotherthings,dealing Page16 daily with artistsfrom all over the world, identifying new talentsliving andworking in our membercountries,as well as liaising with national governmentrepresentatives,seniors officials from variousinternationalagencies,and interactingwith the World Bank Group seniormanagement.Oneof our primaryrolesis to facilitatecommunicationbetweenartists andthedevelopmentcommunityasameansof usingartto fostereconomicdevelopmentand socialgrowth. TheAugust28, 2009letterfrom MarinaGalvanisubmittedin responseto the director'srequestfor evidencestates: I decidedto hire [thepetitioner]in 2005to work asAssistantCuratorfor theArt Program.In this function,[thepetitioner]is responsiblefor bothevaluatingportfoliosaswell ascurating art exhibition aswell asoverseeingeducationalprogramsfor theWorld Bank staff andthe visitorsto theWorld Bank. * * * [Thepetitioner]hasperformedsincethebeginninga leadingrole in identifying,judging and recommendingartistsfor theartexhibitionsincludedin Africa Now!program.Theexhibition componentof Africa Now! includedworks by over hundred-fifty artistsfrom thirty-four different countriesandhasbeenon view at the World Bank in WashingtonDC andParis until May2009. * * * [The petitioner's]commitmentto the exhibitionprojectsAfrica Now! and . . . her critical skills in identifying artists, and her creativity as her working capacity in curating an outstandingseriesof eventshavebeenimpressive.Duringherfour yearsat theWorld Bank Art Program[thepetitioner]hassuccessfullycreatedaproductiveopennessandwidenedthe networkin theinternationalartcommunityfor thebenefitof theBankandartists. Asidefrom theself-servingassertionsof Ms. Galvani,thereis no supportingevidenceshowingthat the World Bank hasa distinguishedreputationas an artsorganization. Going on recordwithout supportingdocumentaryevidenceis not sufficient for purposesof meetingthe burdenof proof in theseproceedings. Matter of Soffici, 22 I&N Dec. at 165. Further,while the petitionerhas performedadmirablyon theprojectsto which shewasassigned,thereis no evidenceshowingthat her subordinaterole asa curatorialassistantis leadingor critical for the World Bank. For example, thereis no organizationalchartor otherevidencedocumentinghowthepetitioner'spositionfell within the generalhierarchyof the World Bank. The documentationsubmittedby the petitionerdoesnot establishthatshewasresponsiblefor thesuccessor standingof theWorldBankto a degreeconsistent with themeaningof "leadingor criticalrole." Moreover,section203(b)(1)(A)(i)of theAct requiresthe submissionof extensiveevidence.Consistentwith thatstatutoryrequirement,theregulationat8C.F.R. §204.5(h)(3)(viii)expresslyrequiresevidencethatthealienhasperformedin a leadingor criticalrole for "organizationsor establishments"in theplural. Therefore,evenif we foundthepetitioner'srole Page17 with the World Bank to be qualifying, which we do not, a leading or critical role in a single distinguishedorganizationdoesnot meetthe plain languageof the regulation. Accordingly,the petitionerhasnotestablishedthatshemeetsthiscriterion. Summary In thiscase,weconcurwith thedirector'sdeterminationthatthepetitionerhasfailedto demonstrate her receiptof a major, internationallyrecognizedaward,or that shemeetsat leastthreeof theten categoriesof evidencethat must be satisfiedto establishthe minimum eligibility requirements necessaryto qualify as an alien of extraordinaryability. 8 C.F.R. §204.5(h)(3). A final merits determinationthatconsidersall of theevidencefollows. B. Final MeritsDetermination In accordancewith the Kazarianopinion,we mustnext conducta final meritsdeterminationthat considersall of theevidencein thecontextof whetheror not thepetitionerhasdemonstrated:(1) a "level of expertiseindicatingthattheindividualis oneof thatsmallpercentagewhohaverisento the very top of the[ir] field of endeavor,"8C.F.R.§204.5(h)(2);and(2) "that the alien hassustained nationalor internationalacclaimandthathisor herachievementshavebeenrecognizedin thefield of expertise."Section203(b)(1)(A)of theAct; 8 C.F.R.§204.5(h)(3).SeealsoKazarian,596F.3dat 1119-20. In the presentmatter,manyof the deficienciesin the documentationsubmittedby the petitionerhave alreadybeenaddressedin our precedingdiscussionof the regulatorycriteria at 8C.F.R.§§204.5(h)(3)(i)- (iii) and(viii). With regardto the documentationsubmitted.for 8 C.F.R. § 204.5(h)(iv),the petitioner has not establishedthat her involvementwith the "World Bank Art and DevelopmentProject" Art Committee,theDC HispanicYouthSymposiumArt Competition,theDC Action for Children2008 Art Contest,and as a curatorialassistantevaluatingartists for the World Bank Art Program demonstratessustainednationalor internationalacclaimor a levelof expertiseindicatingthatsheis amongthat smallpercentagewho haverisento the very top of the field of endeavor.Seesection 203(b)(1)(A)(i) of the Act, 8 U.S.C. § 1153(b)(1)(A)(i), and 8 C.F.R. §§ 204.5(h)(2) and (3). For example,theentrantsin theDC HispanicYouth SymposiumArt CompetitionandtheDC Action for Children2008Art Contestwerelimitedto local"high schoolstudents"and"youthin gradesPre-k through12" in Washington,D.C. We cannotconcludethatjudging a localcompetitionfor students at theselevelsis indicativeof sustained"nationalor internationalacclaim"at the very top of the visualartsfield. With regardto thepetitioner'sevaluationof artworkin herpositionasa curatorial assistantfor the World Bank, we cannotconcludethat performingsuch duties inherentto the subordinatepositionto which shewas.appointeddemonstratessustainednationalor international acclaimandthatherachievementshavebeenrecognizedin thefield of expertisebeyondherimmediate employer. The petitioner's selection for such assignmentsdemonstratesher employer's acknowledgementof herprofessionalcompetenceasanartevaluator,butit doesnotequateto evidence of hersustainednationalor internationalacclaimin thevisualartsfield. Page18 Regardingthedocumentationsubmittedfor 8C.F.R.§204.5(h)(vii),it shouldbe emphasizedthata visualartistdoesdistinguishherselfasamongthatsmallpercentagewhohaverisento theverytopof thefield simply by arrangingfor her work to be displayed. Moreover,the statuteandregulations requirethe petitionerto demonstrate"sustainednationalor internationalacclaim" in her field of endeavor.Section203(b)(1)(A)of theAct; 8 C.F.R.§204.5(h)(3).Asidefrom thepetitioner'ssolo exhibitionin 2006at theBorgesCulturalCenter,thepetitionerhasnot submittedevidenceshowing thather workshaveregularlybeendisplayedat significantnationalor internationalartsvenues,as opposed to exhibits in Washington, D.C. connected to her employment at Inter-American DevelopmentBank,organizedto supportlocal charitablecauses,or intendedto promoteemerging Latin Americanartists. Regardingthepetitioner'sexhibitsat theArgentineEmbassy,we noteMr. Chuburu'sstatementthatthepetitionerworkedthereasacurator.Further,thereis no indicationthat the petitioner'sworkshaveoften beenexhibitedalongsidethoseof artistswho enjoy nationalor internationalreputations.Theevidencesubmittedby thepetitionerfor 8 C.F.R.§ 204.5(h)(vii)is not sufficientto demonstratea level of distinctionthatsetsher art exhibitionsapartfrom thoseof most otherartistsin herfield nationallyor internationally. Beyondthe categoriesof evidenceat 8 C.F.R. § 204.5(h)(3),the petitionersubmittedseveralletters of support,manyof which havealreadybeenaddressed.While referenceletterscanprovideuseful informationaboutanalien'squalificationsor helpin assigningweightto certainevidence,suchletters do not equateto extensiveevidenceof the alien'sachievementsandrecognitionasrequiredby the statuteandregulations.Thenonexistenceof requiredevidencecreatesa presumptionof ineligibility. 8C.F.R.§ 103.2(b)(2)(i).Theclassificationsoughtrequires"extensivedocumentation"of sustained national or international acclaim. See section 203(b)(1)(A)(i) of the Act, 8 U.S.C. § 1153(b)(1)(A)(i),and 8 C.F.R. § 204.5(h)(3). The commentaryfor the proposedregulations implementingthestatuteprovidethatthe"intentof Congressthataveryhighstandardbesetfor aliens of extraordinaryability is reflectedin this regulationby requiringthe petitionerto presentmore extensivedocumentationthanthatrequired"for lesserclassifications.56Fed.Reg.30703,30704(July 5, 1991). Primaryevidenceof achievementsandrecognitionis of far greaterprobativevaluethan opinionstatementsfrom individualsselectedby thepetitioner. JackRasmussenstatesthat he hasworked with thepetitioner sinceMay 2008, "both asan artist andasa curator of art." He further states: "[The petitioner] is an exceptionally gifted visual artist. . . . Not only wouldshebenefitfrom continuingto createbeautyin theUnitedStates,but theUnitedStateswould benefitfrom hercontinuedcontributionsto our culturallife. Thequalityandoriginality of hergifts are notreplaceable." hoolof Art, GeorgeMasonUniversity,states: I camein contactwith the petitionerduringoneof her exhibitionsat the MexicanCultural Institutein Washington,DC. I wasveryimpressedby herartpiece"HumanSettlement"where I foundtheideaof Diaspora/Migrationperfectlypresented.. . . I found[thepetitioner's]work originalandunique.. . . [Thepetitioner]is a skillful artistalwaysassociatedwith deeply[sic] reflectiononthesubject. Page19 * * * In May2009I hadthepleasureto workwith [thepetitioner]whoplannedandcoordinatedone of my exhibitionsat theWorld Bankin WashingtonDC. . . . I found[thepetitioner]to be a talentedand professionalArtist and Curator with a great senseof aesthetic[sic] and commitmentsto theartistsandthearts. statesthathe workedwith thepetitionerduringhis tenureasResidentStageDirectorfor MusicaAperta'smulti-mediapieceentitled"ThreePreludesto aFinale." Hefurtherstates: Obviously,artistsareuniqueindividuals,eachwith avoiceveryspecificto them,eachmakinga statementwith their work that is differentanddistinctfrom thework of otherartistsaround them. [Thepetitioner]isjust sucha uniqueartist,whosewillingnessto challengeherselfand pushthelimits of whatsheknowsis equaledby a skill-sethonedby yearsof rigoroustraining anddedicatedwork. The above letters are all from the petitioner's artistic collaboratorsin the Washington,D.C. metropolitanarea.While suchlettersareimportantin providingdetailsaboutthepetitioner'srolein variousprojects,they cannotby themselvesestablishthe petitioner'sacclaimbeyondher circle of immediateacquaintances. Theprecedingreferencesspeakadmirablyof thepetitioner'stalentsasanartistandcurator,buttheir commentsdo not establishthatshehassustainednationalor internationalacclaimat theverytop of herfield. The opinionsof expertsin thefield, while not without weight,cannotform thecornerstone of a successfulextraordinaryability claim. USCISmay,in its discretion,useasadvisoryopinions statementssubmittedasexperttestimony. SeeMatter of CaronInternational, 19I&N Dec.791,795 (Commr.1988). USCISis ultimatelyresponsiblefor makingthe final determinationregardingan alien'seligibility for thebenefitsought. Id. Thesubmissionof lettersfrom expertssupportingthe petitionis not presumptiveevidenceof eligibility; USCISmayevaluatethecontentof thoseletters asto whethertheysupportthealien'seligibility. Seeid. at 795-796;seealsoMatter of V-K-,24 I&N Dec. 500, n.2 (BIA 2008) (noting that expert opinion testimony doesnot purport to be evidence as to "fact"). Thus, the content of the experts' statementsand how they becameawareof the petitioner'sreputationare importantconsiderations.Even when written by independentexperts, letterssolicitedby analien in supportof an immigrationpetition areof lessweight thanpreexisting, independentevidenceof achievementsandrecognitionthat onewould expectof a visual artist and curatorwhohassustainednationalor internationalacclaim. While thepetitionerhasearnedtherespectandadmirationof herreferences,theevidenceof record falls short of demonstratingher sustainednational or internationalacclaimas a visual artist or curator. The conclusionwe reachby consideringthe evidenceto meeteachcriterion at 8 C.F.R. § 204.5(h)(3)separatelyis consistentwith a review of the evidencein the aggregate.Evenin the aggregate,the evidencedoesnot distinguishthe petitionerasoneof the smallpercentagewho has risento theverytopof thefield of endeavor.8 C.F.R.§ 204.5(h)(2). Page20 III. Conclusion Reviewof therecorddoesnotestablishthatthepetitionerhasdistinguishedherselfto suchanextent thatshemaybesaidto haveachievedsustainednationalor internationalacclaimor to bewithin the smallpercentageat the very top of her field. The evidenceis not persuasivethat the petitioner's achievementssether significantlyabovealmostall othersin her field at a nationalor international level. Therefore,thepetitionerhasnotestablishedeligibility pursuantto section203(b)(1)(A)of the Act andthepetition maynot beapproved. An applicationor petition that fails to comply with thetechnicalrequirementsof the law may be deniedby theAAO evenif theServiceCenterdoesnot identify all of thegroundsfor denialin the initial decision.SeeSpencerEnterprises,Inc. v. UnitedStates,229F. Supp.2d at 1043,aff'd,345 F.3d at 683; seealso Soltanev. DOJ, 381 F.3d at 145(noting that the AAO conductsappellate reviewon adenovobasis). Thepetitionwill bedeniedfor theabovestatedreasons,with eachconsideredasanindependentand alternativebasisfor denial. In visa petition proceedings,the burdenof proving eligibility for the benefitsoughtremainsentirelywith thepetitioner.Section291of theAct, 8 U.S.C.§ 1361. Here, thatburdenhasnotbeenmet. ORDER: Theappealisdismissed.
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