Can musicians get an EB-1A? What 288 AAO decisions say
Published AAO non-precedent decisions, 2002–2025 · updated 2026-10-16
Between 2002 and 2025 the AAO published 288 EB-1A appeal decisions from music petitioners; 13 were sustained and 216 dismissed. The most common ground for dismissal: not shown to be among the small percentage at the very top of the field (final merits) (113 of the 249 merits dismissals, 45%). Second: awards not shown to be nationally or internationally recognized (31, 12%). What the sustained decisions had: published material about the person in major media; awards with documented national or international recognition. These are appeals of denials, not all adjudications, so the dismissal rate is not an initial-filing approval rate; it shows which arguments the AAO rejected on appeal and which it accepted.
What the decisions say
Grounds for dismissal, by frequency
- 113 of 249 Not shown to be among the small percentage at the very top of the field (final merits)
“The AAO also noted that the petitioner could not rely on recognition as a musician or composer to demonstrate acclaim as a sound designer or engineer, as they are considered different areas of expertise.” AAO, 2006
- 31 of 249 Awards not shown to be nationally or internationally recognized
“The AAO agreed that the petitioner met the criteria for judging others' work and for showcasing his work, but found the submitted awards were not proven to be nationally or internationally recognized.” AAO, 2016
What the 13 sustained decisions had
- 2 of 13 Published material about the person in major media
“The AAO concluded that the petitioner satisfied the criteria for nationally recognized awards, published materials in major media, and judging the work of others.” AAO, 2018
- 1 of 13 Awards with documented national or international recognition
“The AAO concluded that the petitioner satisfied the criteria for nationally recognized awards, published materials in major media, and judging the work of others.” AAO, 2018
- 1 of 13 Contributions shown to be of major significance
“The appeal was sustained because the AAO determined the petitioner met three regulatory criteria: published material, display of work, and original contributions.” AAO, 2017
Outcomes by Year
| Year | Dismissed | Sustained | Remanded | Total |
|---|---|---|---|---|
| 2025 | 3 (—) | 0 | 1 | 4 |
| 2024 | 13 (—) | 0 | 2 | 15 |
| 2023 | 10 (—) | 0 | 4 | 14 |
| 2022 | 9 (—) | 0 | 1 | 10 |
| 2021 | 13 (—) | 1 | 2 | 16 |
| 2020 | 18 (85.7%) | 1 | 2 | 21 |
| 2019 | 11 (—) | 1 | 3 | 15 |
| 2018 | 4 (—) | 1 | 0 | 5 |
| 2017 | 8 (—) | 1 | 0 | 9 |
| 2016 | 4 (—) | 0 | 0 | 4 |
| 2015 | 9 (—) | 0 | 0 | 9 |
| 2014 | 12 (—) | 0 | 0 | 12 |
| 2013 | 16 (—) | 1 | 0 | 17 |
| 2012 | 17 (—) | 1 | 0 | 18 |
| 2011 | 5 (—) | 1 | 0 | 6 |
| 2010 | 6 (—) | 0 | 0 | 6 |
| 2009 | 22 (95.7%) | 0 | 1 | 23 |
| 2008 | 5 (—) | 1 | 0 | 6 |
| 2007 | 6 (—) | 1 | 1 | 8 |
| 2006 | 6 (—) | 1 | 2 | 9 |
| 2005 | 13 (—) | 2 | 0 | 15 |
| 2004 | 2 (—) | 0 | 0 | 2 |
| 2003 | 2 (—) | 0 | 0 | 2 |
| 2002 | 2 (—) | 0 | 0 | 2 |
Criteria Breakdown
| Criterion | In Dismissed | In Sustained | Total | Dismissal Rate |
|---|---|---|---|---|
| Prizes or awards | 220 | 9 | 246 | 89.4% |
| Published material about the alien | 128 | 13 | 153 | 83.7% |
| Membership in associations | 97 | 0 | 107 | 90.7% |
| Leading or critical role | 80 | 7 | 96 | 83.3% |
| Judging | 73 | 9 | 94 | 77.7% |
| Artistic exhibitions or showcases | 76 | 9 | 93 | 81.7% |
| Original contributions of major significance | 71 | 6 | 84 | 84.5% |
| Commercial success in performing arts | 31 | 3 | 38 | 81.6% |
| Sustained national or international acclaim | 30 | 1 | 37 | 81.1% |
| High salary or remuneration | 28 | 0 | 35 | 80.0% |
| Authorship of scholarly articles | 20 | 0 | 24 | 83.3% |
Example Decisions
Sample: published AAO non-precedent decisions collected from uscis.gov, 2002–2025. These are appeals, not all USCIS adjudications; approval rates here are not initial-filing approval rates. Read our full methodology.
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